The 2015 portfolio is united by an interest in appropriation and found images, featuring bold, primary colour palettes and playful references to the consumer aesthetics of the 1980s.
Vikky Alexander reconfigures a found photograph to draw attention to cultural constructions of nature, Lili Huston-Herterich uses gestural drawing on her prints to imitate DIY and domestic mark-making, and Owen Kydd produces a photograph of an acrylics-store display case, based on one of his signature “durational photograph” video works.