cfaal 254 | Jessica Eaton

$750.00
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2012
16 x 20 inches (24 x 27.5 inches framed)
Edition of 20, 3 APs

ABOUT THE ARTWORK

Jessica Eaton uses a wide array of experimental, analogue-based photographic techniques such as colour separation filters, multiple exposures, dark slides, and in-camera masking. Eaton builds images on sheets of 4×5 film that address the fundamental properties of photography such as light, chance, duration, illusion, and spatial relations. In discussing her work, Eaton has explained, “I often set up parameters for phenomena to express themselves. In the best cases I push things so that the response comes in ways that I could not have thought up until I was shown it on film. Once you get to see or experience something, you can use it. Then you can use it to see something else.”

ABOUT JESSICA EATON

Born 1977 in Regina, SK

Jessica Eaton is an artist who lives and works in Montréal. She has presented public-art projects in Brooklyn, Milan, Los Angeles, and other cities; won the grand-jury prize at the 2012 Hyères International Festival of Photography; was long listed for the 2013 AIMIA AGO Photography Prize; and has won grants from the Humble Arts Foundation and the Canada Council for the Arts. Eaton received her BFA from Emily Carr University of Art and Design.

Selected solo exhibitions: “Pictures for Women,” Higher Pictures, New York (2017); M+B Gallery, Los Angeles (2016); Galerie Antoine Ertaskiran, Montréal (2016); “Process and Abstraction,” Transformer Station, Cleveland (2015); “Wild Permutations,” MOCA Cleveland (2015); “Ad Infinitum,” The Photographers Gallery, London (2014); “Studies with a Third Dimension,” Hyéres International Festival of Photography (2013)

Selected group exhibitions: “Under Construction: New Positions in American Photography,” Foam Fotographie Museum, Amsterdam, and Pioneer Works, Brooklyn (2014–15); “With a Trace: Photographs of Absence,” Akron Art Museum, OH (2013); “Photography Is Magic,” Daegu Photography Biennale, Daegu, South Korea (2012); “Phantasmagoria,” Presentation House Gallery, Vancouver (2012); “Flash Forward 2011,” Magenta Foundation, Toronto (2011)

Selected public collections: National Gallery of Canada, Ottawa; Museum of Fine Arts, St. Petersburg, FL; Art Gallery of Ontario, Toronto; Musée d’art Contemporain de Montréal

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2012
16 x 20 inches (24 x 27.5 inches framed)
Edition of 20, 3 APs

ABOUT THE ARTWORK

Jessica Eaton uses a wide array of experimental, analogue-based photographic techniques such as colour separation filters, multiple exposures, dark slides, and in-camera masking. Eaton builds images on sheets of 4×5 film that address the fundamental properties of photography such as light, chance, duration, illusion, and spatial relations. In discussing her work, Eaton has explained, “I often set up parameters for phenomena to express themselves. In the best cases I push things so that the response comes in ways that I could not have thought up until I was shown it on film. Once you get to see or experience something, you can use it. Then you can use it to see something else.”

ABOUT JESSICA EATON

Born 1977 in Regina, SK

Jessica Eaton is an artist who lives and works in Montréal. She has presented public-art projects in Brooklyn, Milan, Los Angeles, and other cities; won the grand-jury prize at the 2012 Hyères International Festival of Photography; was long listed for the 2013 AIMIA AGO Photography Prize; and has won grants from the Humble Arts Foundation and the Canada Council for the Arts. Eaton received her BFA from Emily Carr University of Art and Design.

Selected solo exhibitions: “Pictures for Women,” Higher Pictures, New York (2017); M+B Gallery, Los Angeles (2016); Galerie Antoine Ertaskiran, Montréal (2016); “Process and Abstraction,” Transformer Station, Cleveland (2015); “Wild Permutations,” MOCA Cleveland (2015); “Ad Infinitum,” The Photographers Gallery, London (2014); “Studies with a Third Dimension,” Hyéres International Festival of Photography (2013)

Selected group exhibitions: “Under Construction: New Positions in American Photography,” Foam Fotographie Museum, Amsterdam, and Pioneer Works, Brooklyn (2014–15); “With a Trace: Photographs of Absence,” Akron Art Museum, OH (2013); “Photography Is Magic,” Daegu Photography Biennale, Daegu, South Korea (2012); “Phantasmagoria,” Presentation House Gallery, Vancouver (2012); “Flash Forward 2011,” Magenta Foundation, Toronto (2011)

Selected public collections: National Gallery of Canada, Ottawa; Museum of Fine Arts, St. Petersburg, FL; Art Gallery of Ontario, Toronto; Musée d’art Contemporain de Montréal

2012
16 x 20 inches (24 x 27.5 inches framed)
Edition of 20, 3 APs

ABOUT THE ARTWORK

Jessica Eaton uses a wide array of experimental, analogue-based photographic techniques such as colour separation filters, multiple exposures, dark slides, and in-camera masking. Eaton builds images on sheets of 4×5 film that address the fundamental properties of photography such as light, chance, duration, illusion, and spatial relations. In discussing her work, Eaton has explained, “I often set up parameters for phenomena to express themselves. In the best cases I push things so that the response comes in ways that I could not have thought up until I was shown it on film. Once you get to see or experience something, you can use it. Then you can use it to see something else.”

ABOUT JESSICA EATON

Born 1977 in Regina, SK

Jessica Eaton is an artist who lives and works in Montréal. She has presented public-art projects in Brooklyn, Milan, Los Angeles, and other cities; won the grand-jury prize at the 2012 Hyères International Festival of Photography; was long listed for the 2013 AIMIA AGO Photography Prize; and has won grants from the Humble Arts Foundation and the Canada Council for the Arts. Eaton received her BFA from Emily Carr University of Art and Design.

Selected solo exhibitions: “Pictures for Women,” Higher Pictures, New York (2017); M+B Gallery, Los Angeles (2016); Galerie Antoine Ertaskiran, Montréal (2016); “Process and Abstraction,” Transformer Station, Cleveland (2015); “Wild Permutations,” MOCA Cleveland (2015); “Ad Infinitum,” The Photographers Gallery, London (2014); “Studies with a Third Dimension,” Hyéres International Festival of Photography (2013)

Selected group exhibitions: “Under Construction: New Positions in American Photography,” Foam Fotographie Museum, Amsterdam, and Pioneer Works, Brooklyn (2014–15); “With a Trace: Photographs of Absence,” Akron Art Museum, OH (2013); “Photography Is Magic,” Daegu Photography Biennale, Daegu, South Korea (2012); “Phantasmagoria,” Presentation House Gallery, Vancouver (2012); “Flash Forward 2011,” Magenta Foundation, Toronto (2011)

Selected public collections: National Gallery of Canada, Ottawa; Museum of Fine Arts, St. Petersburg, FL; Art Gallery of Ontario, Toronto; Musée d’art Contemporain de Montréal