Crowbar with White Tube (Conceal, Confusion, Drainage, Expertise, Flexibility, Isolation, Nobody, Progress, Similarity, Success) | Jimmy Limit
2012
22 x 16 inches (30 x 23.75 inches framed)
Edition of 20, 3 APs
ABOUT THE ARTWORK
Evolving out of an interest in stock photography and an affinity for the aesthetic of the ULINE Catalogue, Jimmy Limit’s 2013 exhibition “Show Room” presented a collection of photographs and sculptures that explored relationships between image, object, and consumption. Through an exploration of photography as both a tool to sell commodities and as a commodity in its own right, “Show Room” addressed the multilayered relationship between photography and commerce.
ABOUT JIMMY LIMIT
Jimmy Limit is a photo-based artist living in St. Catharines, Ontario. His recent exhibitions combine his long-standing interest in self-publishing and photography with a new fascination: ceramics and sculpture. His work has been featured in publications including Bad Day, The New York Times and Frieze. Limit received a BFA from the Ontario College of Art and Design in 2012.
Selected solo and group exhibitions: “Shop Floor,” Gallery 44, Toronto (2017); “Show Room,” Clint Roenisch, Toronto (2013); “Special Guests,” Art Metropole, Toronto (2012); “Goodbye to Romance,” Mercer Union, Toronto (2009); “March Madness,” Melanie Flood Projects, New York (2008); “Tiny Vices,” Spencer Brownstone Gallery, New York (2005)
2012
22 x 16 inches (30 x 23.75 inches framed)
Edition of 20, 3 APs
ABOUT THE ARTWORK
Evolving out of an interest in stock photography and an affinity for the aesthetic of the ULINE Catalogue, Jimmy Limit’s 2013 exhibition “Show Room” presented a collection of photographs and sculptures that explored relationships between image, object, and consumption. Through an exploration of photography as both a tool to sell commodities and as a commodity in its own right, “Show Room” addressed the multilayered relationship between photography and commerce.
ABOUT JIMMY LIMIT
Jimmy Limit is a photo-based artist living in St. Catharines, Ontario. His recent exhibitions combine his long-standing interest in self-publishing and photography with a new fascination: ceramics and sculpture. His work has been featured in publications including Bad Day, The New York Times and Frieze. Limit received a BFA from the Ontario College of Art and Design in 2012.
Selected solo and group exhibitions: “Shop Floor,” Gallery 44, Toronto (2017); “Show Room,” Clint Roenisch, Toronto (2013); “Special Guests,” Art Metropole, Toronto (2012); “Goodbye to Romance,” Mercer Union, Toronto (2009); “March Madness,” Melanie Flood Projects, New York (2008); “Tiny Vices,” Spencer Brownstone Gallery, New York (2005)
2012
22 x 16 inches (30 x 23.75 inches framed)
Edition of 20, 3 APs
ABOUT THE ARTWORK
Evolving out of an interest in stock photography and an affinity for the aesthetic of the ULINE Catalogue, Jimmy Limit’s 2013 exhibition “Show Room” presented a collection of photographs and sculptures that explored relationships between image, object, and consumption. Through an exploration of photography as both a tool to sell commodities and as a commodity in its own right, “Show Room” addressed the multilayered relationship between photography and commerce.
ABOUT JIMMY LIMIT
Jimmy Limit is a photo-based artist living in St. Catharines, Ontario. His recent exhibitions combine his long-standing interest in self-publishing and photography with a new fascination: ceramics and sculpture. His work has been featured in publications including Bad Day, The New York Times and Frieze. Limit received a BFA from the Ontario College of Art and Design in 2012.
Selected solo and group exhibitions: “Shop Floor,” Gallery 44, Toronto (2017); “Show Room,” Clint Roenisch, Toronto (2013); “Special Guests,” Art Metropole, Toronto (2012); “Goodbye to Romance,” Mercer Union, Toronto (2009); “March Madness,” Melanie Flood Projects, New York (2008); “Tiny Vices,” Spencer Brownstone Gallery, New York (2005)